Maria Veie is an exhibition space for young artists focusing on Public Art as installations, video, photography and drawings. The gallery aims to be sustainable, e.g. using second-hand furniture, electronical marketing, and recycled materials for publications and during restoration.
Gallery Maria Veie proudly presents the second solo exhibition by Christina Leithe H. ‘collection in black n white’ is a work consisting of 255 photographs. The work is presented as a collection of small images gathered and filed as an archive. A selection of two photographs are enlarged and presented in the gallery space as single objects.
Schweigaardsgate 56, 0656 Oslo
Thursdays, Fridays and Sundays from 2 – 6 pm
Gallery Maria Veie proudly presents the second solo exhibition by Victoria Pihl Lind. The exhibition “Universalman” consists of two new works: Hong Nai (3 min. video installation) and Universalman (4 min. 20 sec. video).
Runa Sandnes uses mirrors. These free standing mirrors are not only reflecting or picturing something, they are what is being pictured.
Runa Sandnes uses mirrors. These free standing mirrors are not only reflecting or picturing something, they are what is being pictured.
Runa Sandnes uses mirrors. These free standing mirrors are not only reflecting or picturing something, they are what is being pictured.
A concert tribute to Jacques Lacan tar utgangspunkt i den franske psykiateren Lacan. For å forstå Freuds begreper om ”super ego” og ”dødsønsket” introduserte Lacan ”The Lamella” som et symbol på ”begjæret” i menneskets psyke. A concert tribute to Jacques Lacan undersøker polariseringen av islamsk kontra vestlig kultur gjennom etableringen av fiendebilder i animerte dataspill.
Galleri Maria Veie proudly presents Animal Magnetism 3 Friday February 4th and Saturday 5th
I. Henriette Pedersen is an interdisciplinary artist with a background from choreography and time-based art, and to define her trilogy it was necessary to come up with a new term. Theatre critics might call it a performance when it is presented on stage with the audience safely seated in the dark, but what happens when the work of a choreographer enters the gallery space? Is it contemporary art or ballet? From my perspective, as an iconologist, Animal Magnetism 3 is not a performance, but an interformance.
Pedersen chooses dancers that are splendid instruments of expression and movement. The dancers’ extreme strength and independent artistic qualities make it possible for them to interact in a condition beyond control – responding to the state of the audience. Hysteria is not just a diagnosis; it may also be expressions of our suppressed feelings.
Pedersen works site specific, using three dimensional space, flood lights, and organisms as materials. She is not performing herself, but implementing her artistic ideas through living materials like dancers and opera singers. The dancer Kristine Karåla Øren is crucial for Pedersen’s work, but this time she is not wrestling with another female, but in a hysterical spiral with the Swedish opera singer, Fredrik Strid. In addition, Pedersen is cooperating with Tilo Hahn. Hahn works with electronical controlled light as the two others work with their voice. Animal Magnetism 3 is thereby a highly interfering work being created as a response to the specific space, the audience and the moment itself. It consists of sound and movement as the dancer and the tenor use their voice and their ‘historically effected consciousness’ (wirkungsgeschichtliches Bewußtsein) as described by Hans-Georg Gadamer in Truth and Method (1960). As a scholar finds the ways that a text’s history articulates with their own background, they use their experience in creation.
Galleri Maria Veie proudly presents Animal Magnetism 3 Friday February 4th and Saturday 5th
I. Henriette Pedersen is an interdisciplinary artist with a background from choreography and time-based art, and to define her trilogy it was necessary to come up with a new term. Theatre critics might call it a performance when it is presented on stage with the audience safely seated in the dark, but what happens when the work of a choreographer enters the gallery space? Is it contemporary art or ballet? From my perspective, as an iconologist, Animal Magnetism 3 is not a performance, but an interformance.
Pedersen chooses dancers that are splendid instruments of expression and movement. The dancers’ extreme strength and independent artistic qualities make it possible for them to interact in a condition beyond control – responding to the state of the audience. Hysteria is not just a diagnosis; it may also be expressions of our suppressed feelings.
Pedersen works site specific, using three dimensional space, flood lights, and organisms as materials. She is not performing herself, but implementing her artistic ideas through living materials like dancers and opera singers. The dancer Kristine Karåla Øren is crucial for Pedersen’s work, but this time she is not wrestling with another female, but in a hysterical spiral with the Swedish opera singer, Fredrik Strid. In addition, Pedersen is cooperating with Tilo Hahn. Hahn works with electronical controlled light as the two others work with their voice. Animal Magnetism 3 is thereby a highly interfering work being created as a response to the specific space, the audience and the moment itself. It consists of sound and movement as the dancer and the tenor use their voice and their ‘historically effected consciousness’ (wirkungsgeschichtliches Bewußtsein) as described by Hans-Georg Gadamer in Truth and Method (1960). As a scholar finds the ways that a text’s history articulates with their own background, they use their experience in creation.
Galleri Maria Veie proudly presents the Norwegian artist Elin Melberg as the first exhibitor of 2011:
